by Anne Fleming
Groundwood Books, 2017
In this delightfully absurd book, appropriately named Kid finds herself in New York City searching for an elusive roof-top goat that she hopes will bring her mother luck on the opening of her Off Broadway play. Kid’s quest brings her into contact with several unusual neighbours, each of whom — including the goat — is in pursuit of his or her own personal challenge.
The Goat is told from multiple perspectives beyond Kid’s, though, pulling together a cast of characters drawn in light but sure strokes. Joff Vanderlinden is a blind skateboarder-turned-novelist who meets a mysterious woman with a striking way with words. Jonathan and Doris are an aging couple navigating the aftermath of a stroke. And Kenneth P. Gill is the apparently reclusive man who has inexplicably brought a mountain goat to the city. These apparently disparate people and situations are nimbly braided into the story of the goat, providing symbolic and thematic depth and resonance.
Despite the absurd plot, the story strikes many serious, even sombre notes. Kid’s accomplice in her search for the goat is Will, whose parents died when the Twin Towers fell; now Will lives with his grandmother and has developed nearly paralyzing rituals as a coping strategy. Will’s help when Kid needs it most, however, allows the other characters to realize their own goals and helps Kid confront the shyness that has held her back. At the centre of the relationship between Kid and Will is a well of empathy, emotional resilience, and compassion, qualities mirrored in the novel’s various subplots.
I admire this book so much for its deft layering, its playfulness, and its poignancy. The book is beautifully patterned, and as the adjacent plot lines come together, readers may perceive several subtle but important lessons. In short, The Goat is a delightful reading experience.
This review was originally published in Resource Links, April 2017.